Mit „Train de Vie“ einer musikalischen Zeitreise, nehmen das Produzentenduo Doblhoff & Muck fein abgestimmt Bezug auf das legendäre Dolce-Vita- Feeling vergangener Tage. Anlass für diese Produktion war unter anderem das Palmers Making-Off der Spring/Summer Kollektion 2013.DOBLHOFF & MUCK haben die wesentlichen Merkmale, den Charakter und die Melodie des ursprünglichen Songs weitgehend beibehalten und neu interpretiert. Mit seinen französischen Vocals verleiht Thierry Robert der Nummer den perfekten erotischen Feinschliff.
Max Doblhoff hinterlässt auch in dieser Produktion seine unverkennbaren jazzig-groovigen Sounds am Schlagzeug. Credits:Vocals:Thierry RobertBass: Julian HruzaDrums: Max Doblhoff Samples taken from „Ein Zug fährt ab“ – Swing Tanzen Verboten“ Produced & Arranged by Max Doblhoff & Sabbas MuckMixdownby Julian Hruza
Max Doblhoff, Turbodeli’s frontman Bernd Pueribauer & Sebastian Wiesflecker aka Bastillo spontaneously teamed up for a little jam, which resulted in this catchy digital release “Tanz Schatzi”. All musicians prove their easygoing and fun approach to this single finishing it off with German lyrics that are on the edge of being suitable for minors.
Vocals by Simonal Bie
Rhythmguitars & Lyrics by Bernd Pueribauer
Bass, Guitars, Ukulele & Keys by Sebastian Wiesflecker
Synth & Bass by Julian Hruza
Drums & Beat by Max Doblhoff
Produced & Arranged by Doblhoff & Wiesflecker 2012
A catchy tune with a very danceable beat that combines electronic and acoustic elements the typical Clubcruise way. Producers Doblhoff & Schallmayer prove again that they know how to align rythm and rhyme having the dancefloor longing for more.
“BITTERSWEET” is Max Doblhoff’s and Philipp Staufer’s debut single on Clubcruise Music 2006. The mix is a sexy trip through groovy and jazzy club sound. Recorded by the viennese live collective “VienaLoco” and their singer Stephanie Zamagna it gives the release its special and warm touch. The remix versions of Karl Moestl and Shanti Roots (Markus Dohelsky) are topping the single off.
